One of the leading figures of Japan’s up-and-coming generation of artists, Kaneta will be making her U.S. solo debut with “In Our Nature.” The Tokyo-based artist paints according to ancient Japanese philosophies, including the thought that God dwells in all beings. Her descriptive paintings are embedded in historic cultures yet exist as fleeting spectacles of nature. The artist applies acrylic paint to canvas and masterfully blends to create an image that actively develops and moves with cyclicality. Her artworks suggest a passing of time and celebrate nature’s ephemerality.
Kaneta uses the female figure to personify elements of nature, including the phenomenon of weather and dramatic seasonal transformation, both of which are depicted dreamily in the artist’s landscapes. These sceneries, some of which Kaneta has visited, have held particular resonance for the artist. They have encouraged her ambition to accurately express the history and stories of a place. This way of working is akin to the attitudes of the Rinpa and Kanō Schools, approaching painting through scenes of nature portrayed and celebrated in ancient Japanese literature.
Oh man… This is no longer my lane but I can’t leave this at “1000 year old sword”.
This is Mikazuki. The Crescent Moon blade.
This sword was crafted by Sanj(y)o Munechika and is older than 1000 years. (The Smith’s oldest signed work is from 987).
There are only 5 of the smith’s pieces remaining and this one exhibits one of the first times in history that the Japanese sword takes on it’s utilitarian curved shape.
This sword was owned by a laundry list of important historical figures including Oda Nobunaga’s general Toyotomi Hideyoshi who unified Japan.
You are essentially looking at a Japanese Excalibur.
I am humbled to even be able to see a picture of this sword.
If I could ever see this blade in person I might just die there on the spot.
This blade is one of the finest examples of the blacksmith’s art ever created. Ever. Anywhere. Period.